El tiempo pasa despacio cuando alguien lo habita emerges from an affective relationship and is built through closeness, documenting Vicente’s everyday life from within a shared experience. In this collaborative narrative, he participates as a co-author, contributing his time, his gestures, and his way of inhabiting each day.

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Over the course of seven months, the work unfolds through encounters of coexistence, research, and production, where photographs intertwine with archival images, personal objects, and documents. From the window of his home, Vicente watches the sea and the coming and going of ships, evoking his own boat and activating a memory that shifts the past into the present.

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The images linger on what appears banal in order to reveal its depth, sustained by an intimate gaze. The camera does not intrude; it accompanies, integrating itself into daily coexistence as a way of being and remaining.

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In addition, the project includes an annex dedicated to the music Vicente listens to: a Spotify playlist —accessible by clicking the music icon— where artists such as Serge Gainsbourg, Jane Birkin, Gilbert Bécaud, Georges Moustaki, and Édith Piaf, evoking his youth in Paris, coexist alongside classical pieces by Mozart, Weber, and Vivaldi. The playlist invites the viewer into an even deeper immersion in his universe.